Emile M. Cioran Quotes
There are eyes which can no longer learn anything from the sun, and souls afflicted by nights from which they will never recover.
Anyone can escape into sleep, we are all geniuses when we dream, the butcher's the poet's equal there.
Anyone who speaks in the name of others is always an imposter!
Consciousness is much more than the thorn, it is the dagger in the flesh.
Each concession we make is accompanied by an inner diminution of which we are not immediately conscious.
Ennui is the echo in us of time tearing itself apart.
In a republic, that paradise of debility, the politician is a petty tyrant who obeys the laws.
Isn't history ultimately the result of our fear of boredom?
It is not worth the bother of killing yourself, since you always kill yourself too late.
Jealousy - that jumble of secret worship and ostensible aversion.
One does not inhabit a country; one inhabits a language. That is our country, our fatherland - and no other.
We are born to exist, not to know, to be, not to assert ourselves.
Woes and wonders of Power, that tonic hell, synthesis of poison and panacea.
The fanatic is incorruptible: if he kills for an idea, he can just as well get himself killed for one; in either case, tyrant or martyr, he is a monster.
To want fame is to prefer dying scorned than forgotten.
You will suffer from everything, and to excess:
the winds will seem gales; every touch a dagger; smiles, slaps; trifles, cataclysms.
Waking may come to an end, but its light survives within you; one does not see in the dark with impunity,
one does not gather its lessons without danger;
there are eyes which can no longer learn anything from the sun, and souls afflicted by nights from which they will never recover.
There are eyes which can no longer learn anything from the sun, and souls afflicted by nights from which they will never recover.
Emil Cioran
After studying humanities at the
Gheorghe Lazăr High School in
Sibiu (Hermannstadt), Cioran, aged 17, started to study
philosophy at the
University of Bucharest. Upon his entrance into the University, he met
Eugène Ionesco and
Mircea Eliade, the three of them becoming lifelong friends. Future Romanian philosopher
Constantin Noica and future Romanian thinker
Petre Ţuţea, became his closest colleagues for they all had
Tudor Vianu and
Nae Ionescu as their professors. Cioran, Eliade, and Ţuţea became supporters of the ideas that their philosophy professor, Nae Ionescu, had become a fervent advocate of a tendency deemed
Trăirism, which fused
Existentialism with ideas common in various forms of
Fascism.
In 1933, he obtained a scholarship to the
University of Berlin, where he came into contact with Klages and
Nicolai Hartmann. While in
Berlin, he became interested in measures taken by the
Nazi regime, contributed a column to
Vremea dealing with the topic (in which Cioran confessed that "there is no present-day politician that I see as more sympathetic and admirable than
Hitler", while expressing his approval for the
Night of the Long Knives — "what has humanity lost if the lives of a few imbeciles were taken"), and, in a letter written to
Petru Comarnescu, described himself as "a
Hitlerist". He held similar views about
Italian fascism, welcoming victories in the
Second Italo-Abyssinian War, arguing that: "Fascism is a shock, without which
Italy is a compromise comparable to today's Romania".
Cioran’s first book, On the Heights of Despair (more accurately translated: "On the Summits of Despair"), was published in Romania in 1934. It was awarded the Commission’s Prize and the Young Writers Prize for one of the best books written by an unpublished young writer. Successively, The Book of Delusions (1935), The Transfiguration of Romania (1936), and Tears and Saints (1937), were also published in Romania.
Although Cioran was never a member of the group, it was during this time in Romania that he began taking an interest in the ideas put forth by the
Iron Guard - a
far right organization whose
nationalist ideology he supported until the early years of
World War II, despite allegedly disapproving of their violent methods.
Cioran revised
The Transfiguration of Romania heavily in its second edition released in the 1990s, eliminating numerous passages he considered
extremist or "pretentious and stupid." In its original form, the book expressed sympathy for
totalitarianism, a view which was also present in various articles Cioran wrote at the time, and which aimed to establish "
urbanization and
industrialization" as "the two obsessions of a rising people".
Marta Petreu's
An Infamous Past: E.M. Cioran and the Rise of Fascism in Romania, published in English in 2005, gives an in-depth analysis of The Transfiguration.
His early call for
modernization was, however, hard to reconcile with the traditionalism of the Iron Guard. In 1934, he wrote: "I find that in Romania the sole fertile, creative, and invigorating nationalism can only be one which does not just dismiss tradition, but also denies and defeats it". Disapproval of what he viewed as specifically Romanian traits had been present in his works ("In any maxim, in any proverb, in any reflection, our people expresses the same shyness in front of life, the same hesitation and resignation... [...] Everyday Romanian [truisms] are dumbfounding."), which led to criticism from the far right
Gândirea (its editor,
Nichifor Crainic, had called The Transfiguration of Romania "a bloody, merciless, massacre of today's Romania, without even [the fear] of
matricide and
sacrilege"), as well as from various Iron Guard papers.
After coming back from Berlin (1936), Cioran taught philosophy at the "
Andrei Şaguna" high school in
Braşov for a year. In 1937, he left for
Paris with a scholarship from the French Institute of
Bucharest, which was then prolonged until 1944. After a short stay in his home country (November 1940-February 1941), Cioran never returned again.
He later renounced not only his support for the Iron Guard, but also their nationalist ideas, and frequently expressed regret and repentance for his emotional implication in it. For example, in a 1972 interview, he condemned it as "a complex of movements; more than this, a demented sect and a party", and avowed: "I found out then [...] what it means to be carried by the wave without the faintest trace of conviction. [...] I am now immune to it".
In 1940, he started writing
The Passionate Handbook, and finished it by 1945. It was to be the last book that he would write in
Romanian, although not the last to deal with pessimism and misanthropy through delicate and lyrical
aphorisms. From this point on Cioran only published books in French (all were appreciated not only because of their content, but also because of their style which was full of
lyricism and fine use of the language).
In 1949 his first French book,
A Short History of Decay, was published by
Gallimard and was awarded the
Rivarol Prize in 1950. Later on, Cioran refused every literary prize with which he was presented.
